Swinging on Stories: Rebranding Parag

Our association with Parag started in 2013 when we were commissioned to design a new year diary that championed children’s literature in regional languages. Over the years, with a steady increase in Parag’s portfolio of work and related design requirements, a need was felt in late 2016 to rebrand Parag and bring its visual presence up with the times. A new logo was arrived upon by the end of that year, however, it was over a period of next three years that the identity became more and more self-assured through an increasing number of diverse applications. This is the story of how that came about.

But first, a background into Parag. An initiative of the Tata Trusts, Parag supports the development of and access to good quality storybooks for children in Indian languages. They enable school and community libraries so that children have free access to books, and work with teachers, librarians, and facilitators to develop their capacity to engage with children’s literature. They also nurture the children’s literature sector through awards, professional development courses, and linking stakeholders together.

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For the new logo, we wanted to come up with a visual that would instantly bring the two critical aspects – books and children – to everybody’s mind, thereby easily communicating the essence of Parag. Showing books is easy, children not so. So we searched for metaphors that convey ‘childhood’ strongly and came up with a swing.

Every child is always naturally drawn to a swing. It’s an instant reminder of our own childhood and that feeling of being airborne, having fun. Irrespective of age, gender or economic standard, every child would have been on a swing (or fought over it). And just as a swing is a part of every childhood, Parag strives to make reading a happy part of every childhood too.

Parag Featured
Parag Verticals

Brand Architecture

To bring clarity to the story of Parag it was important to clearly differentiate between their three broad areas of focus – support and development of books, capacity building and nurturing of people wanting to associate with children’s literature, and enabling open & vibrant libraries. And so Parag Reads, Parag Nurtures and Parag Library were created.

Parag Reads

Visualising the three verticals

A set of three core illustrations were planned that would each showcase an ecosystem (and by association a brand vertical) and which could eventually be used for various collaterals.

Parag Reads is an underground scene that’s all about the foundation of everything that Parag wishes to achieve, and which can only come about by germination of books in regional languages.

Parag Nurtures

Parag Nurtures is about the ground level – about the trees (stakeholders and professionals that Parag engages with) and about the saplings (new talent and ideas) waiting to be planted. This environment is rich in flora and fauna (read literature) and makes for an inviting atmosphere, buzzing with readers.

Parag Library

As we keep climbing up, we come to Parag Library which is the canopy that sits at the top of Parag’s world. And the way canopies set the stage for pollination, Parag libraries will be an important source for the spread of literature.

Parag brochure 1
Parag brochure 2
Parag brochure 3
Parag brochure 4
Parag brochure 5

Parag brochure

The above illustrations set the basis for the design of the brand brochure, the structure of which highlighted the tiered setup of the three verticals. The brand look over the years has evolved to a simple, clean and minimal design with a heavy emphasis on illustrations.  

Parag New Year 1
Parag New Year 2
Parag New Year 3
Parag New Year 4
Parag New Year 5
Parag New Year 6

New Year giveaway

Towards the end of 2018, Parag wanted us to design a diary to gift to its various stakeholders. We proposed a collection of three notebooks, a bookmark and a postcard in a pack of Kraft paper. Each notebook carried an illustration of a Parag vertical with a small note about that vertical on the inside. The bookmark illustrated the brand tagline – spreading the joys of reading – while the postcard carried a photo along with wishes for the new year.

Parag Lec
Parag Lec 1

Library Educator’s Course

The illustration tone and style established early on in the new identity’s language was further explored and built upon when it came to designing for a specific programme under the three verticals. Library Educator’s Course (LEC), for instance, used the same setup as that of its parent sub-brand, Parag Nurtures. Shown here are the stage backdrop for the closing ceremony and the cover of a flyer for LEC. 

Parag Sm 1
Parag Sm 2

Parag on social media

A template was created for announcements on social media with a continuing reliance on illustrations to keep the brand imagery unique.  

In the course of designing various elements of and for Parag, we have developed a strong working relationship and a friendship. They visualise with us the long term goals, the brand strategy and different possibilities for Parag. Because the creatives are fresh and out of the box, they leave a lasting impression with those who see them. This partnership has worked because each of us is free to express what we think openly, agree to disagree and take ownership of the final product.”

Swaha Sahoo,

Parag Lec Backdrop Photo 1
Parag Lec Backdrop Photo 2

Photos from the LEC closing ceremony in Bhopal (photo courtesy: Parag).

3 Circles

We are proud to be associated with the great work Parag is doing in the children’s literature space. Since 2013, we have been working with Parag on projects of varying sizes and scope, from creating an award that honours excellence in Indian children’s literature to branding and designing an app for children’s books in addition to designing for events, courses and a diary.